Advanced Scene Study NYC

(Advanced Scene Study NYC) Scene Study is simply your best opportunity to flex your acting muscles and refine your craft on a consistent basis. Scene Study is the acting class where students take all of their technique and harness it for performance. It is a weekly workout where actors test their performance abilities in a safe and playful environment. Through working on scenes of various genres, the actors discover their strengths and weaknesses with the help of a trained director’s eye. Because class size is restricted to 12-14 actors, each actor works in every class.

Problems within a scene often stem from a problem in basic technique. That is why we integrate technique exercises into the scene study format, giving the actor an opportunity to improve their craft while gaining performance experience. We are always looking to bring the actor to an instinctive, impulsive place. We want the emotional life to be organic and the choices to exciting and truthful. Those are the ideas espoused by our principal influence – Sanford Meisner. However, exercises are integrated from a variety of techniques including Stella Adler, Uta Hagen, Yoga, Michael Chekov, Feldencrais, Viewpoints, Laban, and Kristin Linklater to address specific issues as they arise.

For the more advanced actor, the emphasis of this class is on the practical and creative application of the actor’s technique through advanced scene work. Students will discover how to make strong and interesting choices, and how to unlock the pathways that propel a character into dynamic action. Other topics will also include: script and character analysis, audition techniques, rehearsal methods, and specific performance skills for the camera. Students must be prepared to spend time outside of class for rehearsal with their scene partners. Scenes, monologues, and audition material will be taped at each class, and students can receive a copy of their work for use on their reel or website.

Cold Reading Classes NYC

(Cold Reading Classes NYC: Theatre Group) The cold reading most commonly occurs as a part of a call back audition, when the director has started to look at a more select group of actors. The purpose of the cold reading audition is to gain some perspective into how each actor might fit into the prospective roles. The director will also be looking to see how the actors look, work and interact with each other.

Acting Classes NYC (Stage)

(Acting Classes NYC: Theatre Group) The Theatre Group is hosting Advanced Acting Classes with professional Actor, Director and Producer Rupert Blanesworth on Sunday afternoons. Take your acting to the next level. Check our Calendar for class times.

It is Rupert’s desire to create an advanced, professional caliber, acting class in the New York City where actors of all ages can come on a weekly basis to receive the same type of training and guidance that they would in a professional acting studio in New York.

Read more: Advanced Acting Classes NYC

Improv for Actors

(Acting Classes NYC: Theatre Group)
Regardless of your experience, background or training, we think EVERYBODY can benefit from studying improv. This six-session class is a fun intro to the joys and thrills of improvisation and the TG Improv style.

Students learn improv vocabulary, use practical skills, and perform in a friendly atmosphere. Foundation I is all about unleashing your innate skill. You’ll play games and experiment with creating characters and scenes.

Acting with Viewpoints

(Acting Classes NYC: Theatre Group) Acting with Viewpoints. You are one actor in an ensemble, the chances are that unless you have experienced Viewpoints training, you have little understanding of how to connect with your fellow ensemble members. Viewpoints is a unique technique for developing ensemble creation and is a primary ensemble building tool for companies of actors.

Acting Classes NYC (Beginner)

(Acting Classes NYC- Beginner) The Basic Technique Series gives student actors the opportunity to develop skills that can be applied easily, effectively and specifically. We discovered that most beginning acting classes in Los Angeles were scene study classes, where students who had never acted before were given a scene, told to perform it, and then critiqued. That is like someone who wants to dance
going to ballet class the first day – told to dance Swan Lake and then told how to do the steps afterwards. It just doesn’t make much sense to us.

Acting Classes NYC (Stage)

(Acting Classes NYC: Theatre Group) Do you have a love for stage acting as well as the camera? You can broaden your career opportunities to include the theater with the training you will receive in our acting classes. In expanding your repertoire of skills to the stage, you’ll learn the unique vocal and physical skills needed to perform and project to the audience.

You’ll also study theater history and theatrical styles in exciting, non-traditional classes. You’ll bring all your skills together in a variety of performance opportunities, including two productions mounted in professional New York theater spaces.

Acting Classes NYC (Character Analysis)

(Acting Classes NYC- Beginner) The “character” acting class gives actors exercises and techniques using both research and imagination to create dynamic, truthful and emotionally alive characters. Actors learn how to place these characters into living relationships and then take the words off of the page and bring them to life in a scene.

Script Analysis- Acting Classes NYC

(Acting Classes NYC- Beginner) The “script” acting class emphasizes the actors need to be able to break down a scene, relate emotionally to the circumstances, and play the actions of the scene. Focus is placed on making strong choices that keep you engaged with your scene partner, using the language of the playwright to tell your character’s story and strengthening the actor’s imagination and creativity so that they can be completely believable in the world of the scene.

Finding America, Searching for Identity

(Theatre: Acting Classes NYC) Michael Golamco neatly incorporates that thesis into “Year Zero” to show that all stories of immigrant identity struggle are part of the same story. But it takes time for the brother and sister at the center of this tenderly observed play, produced by Acting Classes NYC Second Stage Uptown at the McGinn/Cazale Theater, to realize that they are not alone.

Vuthy is a 16-year-old Cambodian-American in Long Beach, Calif., whose mother fled the Khmer Rouge in the 1980s and has recently died. Played with goofy vulnerability by Mason Lee (son of the film director Ang Lee), Vuthy is a high school outcast: “I’m too Cambodian for the black and Latin kids, and I’m not Cambodian enough for the Cambodian kids.”

Next Page »